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Sexist Ads Get Recast, With the Men Degraded Instead of the Women

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As we saw in our December roundup, there's no shortage of sexist ads—the vast majority of which are degrading to women rather than men. But what if the tables were turned?

BuzzFeed's new video, "If Women's Roles in Ads Were Played by Men," swaps the genders in three commercials—for GoDaddy, Hardee's/Carl's Jr. and Doritos. (Only the first two were approvedads, however. The Doritos ad was a fan-made entry into the 2011 Crash the Super Bowl contest, and didn't advance to the finals—though it has gotten more than 2 million views on the director's YouTube channel.)

BuzzFeed recreates each ad and plays them side by side with the originals. The GoDaddy spot reverses the Bar Rafaeli/Jesse Heiman setup and features a good-looking guy having to make out with a nerdy girl. Instead of Nina Agdal oiling up her cleavage for Hardee's/Carl's Jr., we see an average-looking guy … oiling up his cleavage for Hardee's/Carl's Jr. And in the Doritos ad, it's the guy, not his girlfriend, who's naked in bed and covered in Doritos. (Maybe this version would have been a finalist after all.)

"Seeing men like this is ridiculous, so why isn't it with women?" the video says at the end. They picked three cringeworthy ads to replicate, but the question certainly holds merit. Sex and humor are effective for a lot of campaigns, but it'd be nice if that could be achieved without, you know, gratuitous crotch shots.


Droga5 Nabs Top Facebook Studio Award for Newcastle Brown Ale Work

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For the second year in a row, the Facebook Studio Awards' best distinction goes to an agency-brand combo that used the social media platform as an anchor for a narrative ultimately shared via many channels.

Droga5 wins the 2014 Facebook Blue Award for its "If We Made It" initiative for client Newcastle Brown Ale, the Heineken-owned beer brand that employed social ads and content to help drive desktop and mobile views for its Super Bowl spot that it never made. (If you had an Internet pulse back in late January, you likely saw Newcastle's mock-teaser videos starring actress Anna Kendrick, animated cats and a Transformer-like robot.)

Mark D'Arcy, CCO at the Facebook Creative Shop, said the Newcastle effort stood out due to its "investment in storytelling and production." He said it built on the 2013 Blue Award triumph by Draftfcb/360i for Oreo's 100-day Daily Twist push, which was seeded on Facebook but spread across YouTube, Twitter, Pinterest and other digital platforms.

"[Droga5] had a huge idea," D'Arcy said. "They had a multitude of different content pieces. They really built it up in a way that people are consuming content."

In other words, the brand team nailed short-form bits that grabbed people's attention and kept them tuned in for days on end. And they had some fun with unorthodox but clever copy, interesting animation and an appearance by the aforementioned Kendrick that drew millions of views across the Web.

"It drove enormous results and really impressed the [awards panel] jury," D'Arcy added.

Per the CCO's team, Newcastle's Facebook-based appeal drew 56.6 million impressions and 1.3 million consumer engagements, while growing brand awareness by 5 percent. The numbers underscore the Facebook Studio Awards' heightened emphasis on business results and mobile effectiveness this year for its awards, according to the Menlo Park, Calif.-based digital giant.

The third annual Facebook Studio Awards leaned on 14 notable jurors from around the ad industry (Grey, AKQA, Crispin Porter + Bogusky, Y&R, JWT, etc.), while attracting entries from 80 different countries—21 nations competed for the first time. Its 36 finalists hailed from 17 countries. The top five nations submitting were the United States, India, Brazil, the United Kingdom and Turkey, in that order.

And the tech player is recognizing campaigns from various points around the globe with its announcement today. For instance, Colenso BBDO/Aim Proximity won best goodwill marketing campaign for an Amnesty International campaign titled "Trial by Timeline" in New Zealand.

Saatchi & Saatchi Norway killed it for Toyota ("Try My Hybrid"), while Leo Burnett Tailor Made orchestrated an inspiring plea ("Bentley Burial") for the Brazilian Association of Organ Transplants. Facebook gave both gold awards, which essentially equate to third and fourth place, respectively.

Silver award winners include: DDB Paris for Musée de la Grande Guerre (France); VML for Wendy's; Finch for Save Our Sons & Duchenne Foundation (Australia); Colenso/Aim Proximity for Samsung New Zealand; Clemenger BBDO for National Australia Bank; and Social Flyer for Sportchek (Canada).

The 2014 Facebook Studio Awards bronze winners are: Contexta for SO Appenzeller GmbH (Switzerland); Heimat Berlin for Hornbach Baumarkt AG; 72andSunny for CKE (Hardees/Carl's Jr. brands); FoxyMoron for Worldwide Media; and Rethink Communications for Playland.

See videos and other creative from the 2014 winners by clicking here.

Carl's Jr. Ad for Sticky Buns Wonders Where You Would 'Pull One Off'

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Carl's Jr./Hardee's isn't a shy fast-food chain. But this time they've traded oiled-up models for innuendo. I won't spoil the new spots, but let's just say they aren't too subtle.

The approach shouldn't be too surprising, as this is the same restaurant chain that once asked people if they preferred A holes or B holes. I am curious as to how they expect people to eat these Cinnamon Pull-Aparts anywhere (wouldn't the icing drip?), but I will give them points for having both men and women allude to masturbation. Kudos?

Agency: 72andSunny. Via Adland.

Ad of the Day: Paris Hilton Is Back to Wash Cars and Sex-Eat Some Burgers

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Paris Hilton has almost come full circle, returning to the hypersexualized Carl's Jr. ad campaign that began when she sudsed up a Bentley in 2005.

The fast-food chain's strategy of selling hamburgers by wrapping them in scantily clad swimsuit models and busty pop culture icons has become a cornerstone of its advertising, thanks largely to Hilton's car washing, uh, skills.

Now she makes a cameo in the brand's newest commercial from 72andsunny, and this time she's serving as a sort of elder stateswoman advising Sports Illustrated model Hannah Ferguson on how to best clean a vehicle while also fellating a sandwich. (It's worth noting that at age 33, Hilton is not the campaign's most seasoned participant. That honor probably goes to Heidi Klum, who was just short of her 40th birthday when she played a meat-loving Mrs. Robinson.)

Supposedly the new ad has something to do with Texas, from which Ferguson hails and around which a new burger is themed. But really that's all whatever, who cares, because bikinis, suds, writhing, meat, etc.

Hilton's abrupt appearance in the ad does have a sort of strange logic, and not just because the soundtrack is a Texas-themed redux of Cole Porter's "I Love Paris." Hilton, who seemed to have faded from the public eye for a while, has, according to people who pay attention to these things, been making a comeback of sorts over the past year.

If that's the case, she at least picked a more respectable way of raising her visibility again than simply releasing another sex tape. 

The original:

CREDITS:

Agency: 72andSunny
Chief Creative Officer, Partner: Glenn Cole
Chief Strategic Officer, Partner: Matt Jarvis
Group Creative Directors: Mick DiMaria, Justin Hooper
Creative Director: Mark Maziarz
Lead Designer: Anthony Alvaraz 
Copywriter: Teddy Miller
Chief Production Officer: Tom Dunlap
Director of Film Production: Sam Baerwald
Executive Film Producer: Molly McFarland
Film Producer: Brooke Horne
Film Production Coordinator: Taylor Stockwell
Group Strategy Director: Matt Johnson
Strategist: Josh Hughes
Director of Business Affairs: Michelle McKinney
Group Business Affairs Director: Amy Jacobsen
Business Affairs Manager: Maggie Pijanowski
Business Affairs Coordinator: Calli Howard
Managing Director: James Townsend
Brand Director: Alexis Varian
Brand Manager: Michal David
Brand Coordinator: Ali Arnold
Communications Manager: Kayla Lostica 

Client: CKE—Carl Karcher Enterprises
Chief Executive Officer: Andy Puzder
Chief Marketing Officer: Brad Haley
Senior Vice President, Product Marketing: Bruce Frazer
Director of Advertising: Brandon LaChance
Vice President, Field Marketing, Media, Merchandising: Steve Lemley
Director, Green Burrito Marketing, Development: Kathy Johnson
Director, Product Marketing, Merchandising: Christie Cooney
Senior Vice President, Corporate Communications, Public Affairs: Melissa Robinson
Director, Public Relations: Kathleen Bush

Production Company: HIS Productions
Director: Chris Applebaum
President: Stavros Merjos
Executive Producer, Managing Director: Rebecca Skinner
Executive Producer: Roger Zorovich
Head of Production: Doron Kauper
Producer: John Hardin
Editorial: Freditor
Producer: Yole Barrera
Editor: Fred Fouquet
Post Effects: Brickyard
Visual Effects Artists: Patrick Poulatian, Mandy Sorenson, George Fitz
Producer: Diana Young
Telecine: CO3
Colorist: Mike Pethel
Senior Producer: Matt Moran
Sound Design, Mix: ON Music & Sound
Mixer: Chris Winston
Music: Squeak E. Clean Productions
Composers: Justin Hori, Charles Rojas
Vocals: Daisy Hamel-Buffa
Senior Music Producer: Chris Shaw

Adweek's Top 5 Commercials of the Week: July 25-Aug. 1

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By car or by boat, brands are trying out new vehicles this week to drive consumers down the path to purchase.

Only one of them is actually selling an automobile—German compact-car maker Smart. Insurance company Centraal Beheer makes a slapstick ad about a self-driving car. And in a new spot for Carl's Jr., cars play a supporting role to the beef-guzzling hotties who wash them. 

Headed in a different direction this week is Under Armour, which jumps on the female empowerment movement with the story of Misty Copeland, a ballerina who broke the mold. And we also have Jude Law putting on a suave show for Johnnie Walker.

Take a look at our picks for the week's best ads, and help us decide which spot was tops. And if your favorite isn't here, tell us in the comments.

UPDATE: Congrats to this week's winner, Johnnie Walker!

Carl's Jr.'s Latest Sexed-Up Burger Eater Is Less Classically Beautiful Than You Might Expect

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If you thought there was no way to top a Paris Hilton-Hannah Ferguson slow-motion car-washing, sex-eating burger-palooza, you'd be wrong, Carl's Jr. wants to tell bros.

Supermodels and celebutantes don't have the market cornered, after all, on using their scantily clad bums, stripper moves and garden hoses to hawk fast food. Along comes Aqua Teen Hunger Force's Carl Brutananadilewski, a husky, hirsute late-night star, to show everybody how it's done.

Just don't eat that burger before you see the new commercial, airing online and during Cartoon Network's Adult Swim, where Aqua Teen Hunger Force anchors the block and Carl regularly heckles his neighbors Meatwad, Master Shake and Frylock.

Though lacking in the bronzed beauty and sex appeal of the burger joint's former brand ambassadors—Padma Lakshmi, Heidi Klum and Kate Upton among them—Carl "brings a certain willingness to the role and a unique interpretation of fresh baked buns," said Steve Lemley, svp of field marketing and media at Carl's Jr. and sister chain Hardee's.



The animated character is willing to wear a physique-inappropriate banana hammock, in other words, and writhe around on a Dodge Spyder while chomping a burger and slapping his ass.

The spot, written and produced by Aqua Teen Hunger Force creators with assists from 72andSunny and Initiative, promotes the chain's bread, baked fresh in stores, which makes its buns "denser and a little sweeter" than competitors' products, according to the press release.

Make that connection between the food and Carl's lumpy posterior at your own risk.

Hungry yet?

Carl's Jr.'s Super Bowl Ad Is Here, and What a Surprise, It Stars an Almost-Naked Woman

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Hold on to your patties, because Carl's Jr. just released an extended version of its regional Super Bowl ad, in which it shows even more skin than usual.

The spot, by 72andSunny, stars Charlotte McKinney—who according to a Google search might be the next Kate Upton (a claim supported by a subsequent Google Images search). The ad will air on the West Coast in the fast-food chain's markets.

It's called "Au Naturel," and indeed, it appears to show McKinney walking around in the buff—with suggestively shaped everyday objects strategically covering her up, à la Austin Powers. There is a twist at the end, of course.



"Charlotte McKinney loves going All-Natural, especially when it comes to her burger," says the brand. "Introducing fast-food's first All-Natural Burger with grass-fed, free-range beef that has no added hormones, steroids, or antibiotics."

The ad was directed by RSA's Jake Scott, whose work includes last year's "Puppy Love" Super Bowl spot for Budwesier. So yeah, the guy has range.

CREDITS
Client: Carl's Jr.

Agency: 72andSunny
Chief Creative Officer, Founder: Glenn Cole
Group Creative Directors:  Justin Hooper, Mick DiMaria
Creative Director: Mark Maziarz
Junior Writer: Reilly Baker
Designer: Esther Kim
Director of Film Production: Sam Baerwald
Executive Film Producer: Molly McFarland
Film Producer: Brooke Horne
Film Production Coordinator: Taylor Stockwell
Group Brand Director: Judson Whigham
Brand Director: Alexis Coller
Brand Manager: Scott Vogelsong
Brand Coordinator: Anthony Fernandez
Group Business Affairs Director: Amy Jacobsen
Business Affairs Manager: Audra Brown, Maggie Pijanowski
Business Affairs Coordinator: Calli Howard
Group Strategy Director: Matt Johnson
Strategist: Eddie Moraga

Production Company: RSA Films
Director: Jake Scott
Executive Producer: Tracie Norfleet
Producer: David Mitchell
Head of Production: Elicia Laport
Sales Rep: Shortlist

Postproduction Company: Whitehouse Post
Editor: Rick Lawley
Assistant Editor: Devon Bradbury
Executive Producer: Joni Williamson
Producer: Evan Cunningham

Transfer: CO3
Colorist: Mike Pethel
Senior Producer: Matt Moran

Visual Effects Company: JAMM Visual
Visual Effects Supervisors: Jake Montgomery, Andy Boyd
Computer Graphics Supervisor: Jonathan Vaughn
Executive Producer: Asher Edwards

Sound Design, Mix: On Music & Sound
Composer: Chris Winston

Carl's Jr. Has Some Voluptuous Data on the Charlotte McKinney Ad, Its Biggest Hit Ever

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Its agency is one of the more sophisticated out there. And ads about female empowerment are on the rise. So why does Carl's Jr. remain stubbornly Neanderthal, continuing its now decade-long obsession with half-naked women sex-eating its product?

Well, let's look at the numbers.

The fast-food chain shares some impressive data today about its regional Super Bowl commercial starring the relatively unknown (until now) 21-year-old Floridian model Charlotte McKinney. It turns out the chain's most naked-est ad ever (at least, that's the faux premise through most of the spot) is also its most successful in quickly generating views and shares.

The ad, by 72andSunny—titled "Au Naturel" and pushing the All-Natural Burger—has been watched 9.4 million times on YouTube, and the campaign has generated a staggering 2.5 billion media impressions in less than two weeks, the company tells Adweek exclusively. Both metrics far outpace anything Carl's Jr. has done in the past—including famous ads with Paris Hilton, Kim Kardashian, Kate Upton and Nina Agdal.



Despite airing in only the western half of the U.S. during the game, the ad also ranks as the third most shared Super Bowl spot across all social media networks, according to Shift Communications. Also, McKinney took over the Carl's Jr. Twitter handle during the Super Bowl and helped to generate more than 4,500 Carl's Jr.-related tweets totaling more than 41 million impressions.

In other words, the target audience of young males isn't tiring of the approach. And judging by the goofy Austin Powers-esque creative of the McKinney ad, it's quite the opposite: The more (comically) risqué, the better.

"Carl's Jr. has long been famous for not only developing innovative burgers and other menu items that are new to fast food, but for advertising them in a way that our target audience of 'Young Hungry Guys' can't seem to get enough of," Brad Haley, chief marketing officer for Carl's Jr., said in a statement.

"However, the success of our Super Bowl ad starring the lovely Charlotte McKinney is unprecedented. … Congratulations and thanks to Charlotte for using her sense of humor, acting talent and stunning good looks to create a bit of fast-food advertising history with us. We wish her well on what I'm sure will be a very successful career."

Of all the hubbub, McKinney herself said in a statement: "It's been so surreal starring in the recent Carl's Jr. Super Bowl ad. They're such an iconic brand featuring so many different women over the years, and I feel fortunate to be a part of this campaign."

Most important, Carl's Jr. says the product itself is moving swiftly. Since its launch in Dec. 17, sales of the All-Natural Burger have exceeded forecasts every week, per the company, and were strongest to date during the week of the Super Bowl.

"It's clear that there is not only interest in more natural menu options, but also in the kind of breakthrough advertising Carl's Jr. and sister chain Hardee's create to promote our new menu items," Haley said.

No one else would call it breakthrough advertising, but don't expect Carl's Jr. to change tactics anytime soon.


How Carl's Jr. Makes the Most of a 6-Second Mobile Video Ad

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Following up on this year's racy regional Super Bowl commercial with Charlotte McKinney, Carl's Jr. needed an eye-popping mobile ad that used the same creative.

But building a prominent smartphone promo is a tough task. For instance, a survey from PricewaterhouseCoopers in October found that only 6 percent of people intentionally click on a mobile ad and interacted with a brand.

So, Carl's Jr. and agency 72andSunny started running a video campaign powered by Opera Mediaworks on Jan. 31 to hype the Feb. 1 Super Bowl spot, and it will continue through March. Six-second video ads—placed in apps such as Time Inc.'s People CelebWatch, USA Today, Shazam and Pinger—automatically play as people scroll through news feeds, much like Facebook's autoplay videos.

After the short clip ends, viewers can choose to watch four extended campaign videos or click through to save a $1 coupon to their phone.

Here's a video showing the full experience:

Opera Mediaworks Native Mobile Video Example: Carl's Jr. | 72andSunny | Initiative from Opera Mediaworks on Vimeo.

Tom Dunlap, chief production officer at 72andSunny, said the early stats are promising. That's primarily because the creative was developed to be watched in eight to 10 seconds, which he said is the sweet spot for mobile video.

"We know there's a significant media buy around mobile—there always is now—you just have to think about the assets you're creating when you're on set and plan for that," Dunlap explained.

So far, the fast food brand's video has generated a 42 percent completion rate, more than double mobile's 20 percent to 25 percent norm. About 4 percent of viewers have clicked to expand the video to full screen, more than the industry's 3 percent average. And 1.14 percent of people clicked through after the video ended, up from a .5 average.

The campaign is part of a new program from Opera Mediaworks called the Native Video Fund. Fifteen brands (including Carl's Jr., Adidas, General Motors, Lenovo and Walt Disney Studios) and their agencies are testing the effectiveness of mobile video through the program.

In exchange for committing to work with Opera Mediaworks, the mobile ad platform covers $100,000 in a media buy. Marketing teams can also choose to divvy up the money so that it covers a $50,000 media buy and $50,000 in production costs.

"We know what TV [creative] is going to be like—we've been doing that for 50 years," Dunlap noted. "What we're just learning is how these new screens are working."

Of course, the idea behind the Native Video Fund is to capitalize on the growth of native video, particularly as it expands on social platforms Facebook and Twitter. During Facebook's fourth-quarter earnings, it claimed that 3 billion views are happening daily on its site and apps.

Will Kassoy, CMO of Opera Mediaworks, added that the program is designed for more than simply touting his company's new ad format. It's also intended for brands to rethink mobile advertising conceptually.

"The spirit of this whole initiative for us was about how to get upstream and proactive with brands and agencies and how to do storytelling in shorter ad units," he said. "If you're just going to take a TV commercial and put it in that native environment, it's not going to be as effective as if you did something purpose-built."
 

10 Must-See Digital Marketing Stats From the Past Week

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Last week felt like a year in Internet time because there was so much happening online. It started with the Oscars and ended with escaped llamas and the dress. There were also touching "LLAP"—live long and prosper—tributes to Leonard Nimoy, who died.

With so much happening online, what made an impact, if only for a moment? Here are the must-see digital stats from last week:

  1. The dress was the ultimate meme moment courtesy of a BuzzFeed article, courtesy of a Tumblr post, with an assist from the Twitterverse. The Internet had a meltdown because no one could agree what color the bodycon dress was, even though it was definitely black and blue. BuzzFeed drew a record number of simultaneous visitors to its site—670,000 people—most of them checking out the story. More than 10 million people read the site's first story within hours of its posting; 900,000 people took a poll on what color they saw; and 75 percent said it was white and gold. (The dress designer's catalogue revealed it to be black and blue.)
  2. Before the dress, there were the llamas, which escaped in a retirement community outside of Phoenix, Ariz. The Internet watched, captivated, as two llamas ran through the streets and were finally captured. There were 220,000 tweets related to the llamas, according to VentureBeat.
  3. Let's not forget the Oscars this week, because Sunday night started with Lego stealing the show despite being snubbed for best animated movie. The toy maker handed out Lego Oscars during a performance of Everything Is Awesome, the hit song from The Lego Movie. With 47,290 mentions, Lego was the top brand across social media during the Academy Awards.
  4. Facebook announced Tuesday that it hit 2 million advertisers. That's a jump from 1.5 million just six months ago. The social network made a "thank you" video featuring Mark Zuckerberg for small businesses around the world that market on Facebook.
  5. Creative digital agency 72andSunny let us in on its mobile campaign for Carl's Jr., which features a video ad starring Charlotte McKinney and big watermelons. The video inspired a 42 percent completion rate, almost double the normal rate most mobile videos achieve, the agency said, crediting its new partner in video production, Opera Mediaworks, with the assist.
  6. The one-second rule is stirring up debate. Last week, AdExchanger quoted Rachel Herskovitz, global media manager at American Express, criticizing digital ad viewability standards. She said it makes no sense to count any ad that only gets seen for 1 second, which is part of a Media Rating Council guideline.
  7. Poor YouTube. Google's video site is still not making money for the company despite $4 billion in revenue in 2014. According to a Wall Street Journal article, increased ad sales and 1 billion viewers did nothing for Google's bottom line.
  8. The Apple Watch has a new date with the public on March 9. Apple already is marketing the wearable wonder, most recently with a 12-page spread in Vogue that showed closeups of the stylish smartwatch.
  9. The smartphone market is utterly dominated by iPhones and Androids, but profits are all Apple's. The Cupertino, Calif., company accounted for 89 percent of all profits in the industry, with $18.8 billion in the fourth quarter ending in December. Android profits were spread across a number of manufacturers, but the largest was Samsung, which reached $2.4 billion. Blackberry and Microsoft? No profits.
  10. Pebble surpassed its earlier crowdfunding record on Kickstarter with its next-generation smartwatch. Pebble Time has raised $11.2 million after the original device raised $10.2 million in 2012, a record at the time. 

Bonus Stat: Ed Sheeran and Chegg, the digital education startup, hosted a social media contest for schools to win a visit from the singer. The campaign launched in January and generated 65 million social impressions.

Carl's Jr. Is Launching 'Fast-Food's Hottest Burger,' Designed by an Ad Agency

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There's a new spicy burger at Carl's Jr. and Hardee's today—the Thickburger El Diablo. And it's being marketed as the "hottest burger in fast food."

Created by 72andSunny in Los Angeles, the new burger came out of an assignment to appeal to the large and growing Hispanic market in Carl's Jr.'s core Southwest market, according to Brad Haley, chief marketing officer for CKE Restaurants, parent company of Carl's Jr. and Hardee's. 

But the fast-food chain decided the burger could appeal to consumers at its nearly 3,000 locations nationwide, considering 56 percent of American homes have hot sauce in the fridge, according to NPD research. "Americans' tastes are getting more and more comfortable with flavor, with spice," said Haley. 

The Thickburger El Diablo, created by 72andSunny's art director and designer Gabo Curielcha, has sliced jalapenos, jalapeno poppers, pepper-jack cheese and spicy habanaro-bacon sauce. It's slated to be in all Carl's Jr. and Hardee's locations for the next four to five months as a limited-time offer.

If sales are solid, the fast-food chain will consider adding the burger to its regular menu. A crispy chicken sandwich version of the El Diablo is also available, and Haley said the brand "will likely be testing a version of this product as a breakfast sandwich." 

"Typically, hot products in fast food aren't really that hot," said Justin Hooper, group creative director at 72andSunny. "They have to cater to everyone. With this one, we really went all in on the hot, on the spice. We came up with the name 'El Diablo' because we want consumers to understand immediately that this is really the hottest burger in fast food."

To introduce the new burger, 72andSunny created two television spots featuring Victoria's Secret model Sara Sampaio.

The campaign also has a social component, with the hashtag #DiabloDare, which challenges the brand's target audience to try the burger and share their experience on social media for a chance to win prizes. 

Check out one of the new spots below: 

How Pepsi, HBO, Denny's and a Dozen Other Brands Are Celebrating 4/20

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Brand tweets can seem unnecessary, even annoying, on many holidays. But 4/20? Seeing them get creative with cannabis references? Well, that's actually kind of fun. 

We've rounded up some of the better brand tweets so far.

Check them out below:  
















As the McDonald’s vs. Taco Bell Breakfast War Rages On, More Brands Join the Fight

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Free breakfast. It's the latest marketing strategy two fast-food giants are wielding in what has been dubbed "the breakfast war."

The stakes are high—fast-food breakfast sales last year rang up $34.5 billion, with McDonald's accounting for one-third of that business, per research firm Technomic. "Breakfast is a very routine purchase," said Allen Adamson, North American chairman at brand consultancy Landor. "Most people get their coffee in the same place; they start their day with a ritual. If you can get them to start their day with you, it's a real strong business because they're coming back every morning."

The war was launched in March 2014, when Taco Bell unveiled its breakfast menu. It has escalated to the point where chains are now offering free food. This past January, McDonald's rolled out a six-month promotion at select locations offering free coffee with breakfast. Then, for two weeks in April, McDonald's franchisees in Philadelphia accepted Taco Bell receipts in exchange for Egg McMuffins. Taco Bell returned fire last week, proclaiming Cinco de Mayo "Breakfast Defector Day" and giving away Biscuit Tacos.

And McDonald's and Taco Bell are up against a host of players, like Dunkin' Donuts, Carl's Jr. and Starbucks—all cooking up the most important meal of the day.

Breakfast is the fastest-growing segment for restaurants, noted John Costello, president of global marketing and innovation for Dunkin' Brands, which recently introduced the Bacon Guacamole Flatbread Sandwich on its breakfast menu. "Dunkin' Donuts has proven the ability to grow in this competitive space by offering highly differentiated products," said Costello.

The exec said Dunkin' will stick with its successful "America Runs on Dunkin'" campaign and will not tackle McDonald's head-on as Taco Bell did with its Soviet-styled "Routine Republic" campaign in March, and last year's "Ronald McDonald" spot, which featured guys named Ronald McDonald endorsing its breakfast menu.

Other chains are trying to cash in, too. CKE Restaurants' Carl's Jr. and Hardee's unwrapped their Mile High Bacon, Egg & Cheese Biscuit on April 20 (aka Weed Day). "There are still opportunities for growth, and you see chains looking to grow in that space," said Brad Haley, the company's CMO. "It's not an easy thing to do. Breakfast consumers are very habitual by nature. There's a very small repertoire of what they will eat. It's usually eggs, cheese, meat and bread. Most people could eat the same thing for breakfast every day of the week."

Starbucks has enjoyed a surge in breakfast sales. Last month, the coffee chain attributed its solid Q2 earnings to its breakfast sandwiches, which posted 35 percent year-over-year growth. "Dreaming up all kinds of amazing food for our customers is what we love to do," a Starbucks rep said. "We continue to listen to our customers and build on the morning coffee occasion to create a breakfast ritual for our customers."

Analysts believe these are merely the first shots in a long-term battle to dominate breakfast, with more chains introducing new and improved menu items to appear nimble and flexible—qualities valued by consumers. But some wonder how much room there is at the table. "If fast-casual restaurants such as Chipotle enter the category, it is virtually guaranteed that market share will be balkanized," said Sean Cullen, evp of product and technology at ad tech firm Fluent.

And even as breakfast menus continue to expand (McDonald's added kale-infused breakfast bowls last week), it will only go so far with increasingly health-conscious consumers, according to industry watchers. As Agathe Blanchon-Ehrsam, CMO of brand consultancy Vivaldi Partners Group, put it, "Breakfast menus are a Band-Aid for [quick-service restaurants], whose traditional menus don't correspond to patrons' needs anymore."

24 Hours in Advertising: Wednesday, May 20, 2015

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Here's everything you need to know about the last 24 hours in advertising, in case you blinked.

Buzzing on Adweek:

Starbucks goes digital with Spotify
Starbucks teamed up with Spotify to give Starbucks employees free Spotify Premium accounts. Employees will use the accounts to pick the music played in stores. (Adweek)

Pinterest tests video ad waters
A new type of Promoted Pin, called Cinematic Pins, will allow advertisers to bring animation to pin boards with Pinterest's version of video ads. (Adweek)

Kristen Bell and Dax Shepard return for Samsung
Adorable married duo Kristen Bell and Dax Shepard make another adorable appearance for Samsung in these new spots, which show off the company's home appliances. (Adweek)

20 video ads battle for top spot on YouTube
To celebrate its 10th birthday, YouTube asked video lovers and ad buffs to vote on 20 iconic spots made in the last 10 years. (Adweek)

Agencies get tough with creatives posting unapproved ads
Creatives and art directors who post unapproved ads to personal blogs are increasingly getting in trouble with clients, because the client actually owns the work. (Adweek)

Tweets come to Google Search
Google and Twitter officially joined forces to pull recent, relevant tweets into Google Search for popular topics. (Adweek)


Around the Web:

Music videos come to Snapchat
Snapchat is making its first move into the music business by releasing four music videos from electronic musician Goldroom on the platform. (The New York Times)

Publishers itching to try Facebook Articles
Facebook recently debuted Facebook Articles, a way for publishers to post content directly to the News Feed. Publishers not among the debut partners are eager to join in. (Digiday)

Carl's Jr. makes a 1,080 calorie burger
The Most American Thickburger is a 1,080 calorie burger topped with hot dogs and potato chips. (Bloomberg)

Airbnb opens up to professional rental companies
Airbnb Inc. will soon include listings from professional vacation rental services rather than just privately owned bedrooms, apartments and crash pads. (The Wall Street Journal)

Carl Icahn believes Apple has a television and a car coming soon
Activist investor Carl Icahn said he believes Apple will debut a TV by 2016 and a car by 2020. (Reuters)


Industry Shake-Ups: 

Mullen Lowe names a U.S. chief
Newly formed Mullen Lowe hired Lee Newman, president of Ogilvy & Mather in Chicago, as its U.S. CEO. (Adweek)

21st Century Fox launches review of media business
21st Century Fox launched a review of its global media business, which the company hopes to complete by the end of the year. (Adweek)

Carl's Jr. Makes the Most Absurdly American Ad for Its Hot-Dog-and-Chips Cheeseburger

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Putting a hot dog and potato chips on your cheeseburger is the ultimate expression of American-ness, according to Carl's Jr. So, this 72andSunny ad for that monstrosity—an official menu item called the Most American Thickburger—celebrates that patriotism to a ridiculous degree. And Samantha Hoopes in a stars-and-stripes bikini is just the beginning.



People are making fun of this particular cheeseburger, of course. Check out Jimmy Kimmel's takedown below, in which he imagines the craziest item on the Carl's Jr. menu—and introduces a memorable new tagline for the place.


Quiz: Can You Match the Fast-Food Chain With Its Old-School Tagline?

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It's hard to forget a fast-food chain's tagline. The ads are everywhere, the restaurants are everywhere and those jingles are so darn catchy. But long after they're gone, can you still remember them?

Take this quiz and see how many old-school taglines you can match with the correct fast-food chain. 

 

Don't Get Too Excited About the Steamy Curves in Carl's Jr.'s 'Natural Beauties' Ad

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If you were looking forward to drooling over whatever hot, near-naked model would grace Carl's Jr.'s notoriously lascivious advertising next, you're in for a disappointment.

In a new 30-second commercial, the crass burger chain plays on its reputation for portraying women as pieces of meat who love to eat smaller pieces of meat in the most ridiculously carnal way possible. But here, it turns out the sweaty, glistening curves belong to something way less titillating.



Titled "Natural Beauties," the concept is essentially a rehash of one of the older jokes in the book, if cleverly tailored to poke fun—in a nonetheless leering, winking sort of way—at the brand's history of scantily clad talent including Charlotte McKinney, Kate Upton, Kim Kardashian and Paris Hilton.

In the end, it's all just part of Carl's Jr. attempt to make its products seem less terrible for your health—i.e., natural. Everyone knows that's a nonsense classification to begin with, and seems particularly half-hearted here—which is fitting, because each time you eat one of the brand's hot-dog-and-potato-chips-on-a-burger burgers, half your heart is probably liable to just give up.

CREDITS
Client: Carl's Jr.
Chief Executive Officer: Andy Puzder
Chief Marketing Officer: Brad Haley
Senior Vice President, Product Marketing: Bruce Frazer
Director of Advertising: Brandon LaChance
Vice President, Field Marketing, Media, Merchandising: Steve Lemley
Director, Product Marketing, Merchandising: Christie Cooney
Product Marketing Manager: Allison Pocino

72andSunny Team
Chief Creative Officer: Glenn Cole
Group Creative Directors: Justin Hooper, Mick DiMaria
Creative Directors: Tim Wettstein, Mark Maziarz
Senior Designer: Marcus Wesson
Group Strategy Director: Matt Johnson
Strategy Director: Kasia Molenda
Strategist: Eddie Moraga
Group Brand Director: Alexis Coller
Senior Brand Manager: Scott Vogelsong
Brand Coordinator: Anthony Fernandez
Director of Film Production: Sam Baerwald
Executive Film Producer: Molly McFarland
Junior Film Producer: Kira Linton
Film Production Coordinator: Taylor Stockwell
Business Affairs Director: Amy Jacobsen
Business Affairs Manager: Jennifer Jahinian
Business Affairs Coordinator: Ryan Alls

Coast Public Relations:
Founder, CEO: Jeanne Beach Hoffa
Group Director: Melissa Penn
Director: Kate Franklin

Production Company: Strange & Wonderful
Director: Will Hyde
Executive Producer: Celeste Hyde
Producer: John Gomez

Editing: 72andSunny Studio
Editor: Doron Dor
Executive Producer: Jenn Locke
Producer: Becca Purice

Online Finishing: Brickyard VFX
Visual Effects Producer: Diana Young
Visual Effects Artists: Patrick Poulatian, Mandy Sorenson
Computer Graphics Artist: David Blumenfeld

Telecine: Beach House
Colorist: Mike Pethel
Producer: Denise Brown

Audio, Sound Design: On Music and Sound
Mixer, Sound Designer: Chris Winston

Music:
Track: "Beastie"
Written and Performed by: The Blancos
Used courtesy of Godiy Music

Step Aside, Waifs. Ronda Rousey Is Carl's Jr.'s Newest Sandwich-Devouring Ad Star

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For years Carl's Jr.'s spots have had a consistent formula: Take one beautiful and scantily clad model that would probably never eat Carl's Jr., add a few double entendres that highlight the model's attributes, then mention the sandwich a few times.

But lately the brand seems to be playing with consumers' expectations, and it's quite fun. 

Instead of the usual waifish model, the brand has now tapped undefeated MMA champion Ronda Rousey to introduce its Cinnamon Swirl French Toast Breakfast Sandwich.

Here 72andSunny takes the public perception of Rousey—a merciless fighter known for her lightning-fast KOs—and then shifts to showing her lighter side. (You don't have to look much farther than Rousey's recent Reddit AMA to see how charmingly nerdy she can get when she starts talking Pokemon and video games.)

And yes, playing up the sex appeal of a a female fighter could be seen as a less than progressive stance, especially for a brand with Carl's Jr.'s reputation. But the ad shows several sides of Rousey, making it clear that she, like most human beings, doesn't fit into any convenient stereotype.

Plus, it's nice to see an ass-kicking spokeswoman who can actually take a bite out of the food they're meant to be selling.


CREDITS

Client: Carl's Jr.
Chief Executive Officer: Andy Puzder
Chief Marketing Officer: Brad Haley
Senior Vice President, Product Marketing: Bruce Frazer
Director of Advertising: Brandon LaChance
Vice President, Field Marketing, Media and Merchandising: Steve Lemley
Director, Product Marketing and Merchandising: Christie Cooney
Product Director: Kathy Johnson

Agency: 72andSunny
Chief Creative Officer: Glenn Cole
Group Creative Directors: Justin Hooper, Mick DiMaria
Creative Directors: Tim Wettstein, Mark Maziarz
Senior Designer: Gabo Curielcha
Senior Writer: Chad Goodnoe
Group Strategy Director: Matt Johnson
Strategy Director: Kasia Molenda
Strategist: Eddie Moraga
Group Brand Director: Alexis Coller
Senior Brand Manager: Scott Vogelsong
Brand Coordinator: Anthony Fernandez
Director of Film Production: Sam Baerwald
Executive Film Producer: Molly McFarland
Senior Film Producer: Juliet Diamond
Junior Film Producer: Kira Linton
Film Production Coordinator: Taylor Stockwell
Business Affairs Director: Amy Jacobsen
Business Affairs Manager: Maggie Pijanowski
Business Affairs Coordinator: Calli Howard

Public Relations: Coast Public Relations
Founder, Chief Executive Officer: Jeanne Beach Hoffa
Group Director: Melissa Penn
Director: Kate Franklin                                                 

Production Company: Wondros                                      
Director: Chris Applebaum                                  
Executive Producer: Timory King                                            
Head of Production: Doron Kauper
Producer: John Hardin                                                                                          
Editing: Whitehouse Post                            
Editor: Paul LaCalandra                                    
Executive Producer: Joni Williamson                                          
Producer: Jonlyn Williams                                                                                              
Editing: jumP LA                      
Editor: Erwin Fraterman                                    
Executive Producer: Betsy Beale                              
Producer: Callie Beckman        
Online Finishing: Brickyard VFX
Visual Effects Producer: Diana Young
Visual Effects Artists: Patrick Poulatian, Mandy Sorenson
Telecine: BeachHouse                                
Colorist: Mike Pethel                                  
Executive Producer: Denise Brown                                                                                            
Audio, Sound Design: On Music and Sound                                          
Mixer, Sound Designer: Chris Winston

Music: South Music                                                                      
Track: "South for Cinnamon Swirl"                                                                           
Written and Performed by: South

UFC® footage provided by Zuffa LLC, ©2014-15

                                                             

Why Brands Are Finally Choosing More Female Athletes for Big Endorsement Deals

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In the male-centric sports world, where the likes of LeBron James score $65 million in endorsement deals, female athletes have largely been an afterthought. But thanks to a constellation of superstars—including a reenergized U.S. women's soccer team, powerhouse tennis players and UFC's unbreakable Ronda Rousey—more marketing dollars are ending up in the pockets of female sports figures.

With the exception of tennis, women athletes historically have not racked up lucrative contracts with brands. On Forbes' recent list of the world's highest-paid athletes, Maria Sharapova and Serena Williams were the only women to crack the top 100, racking up $23 million and $13 million in endorsements, respectively. While impressive, those paydays pale in comparison to male tennis stars like Rafael Nadal, who banked $28 million over the last year, and Roger Federer, with $58 million.

Alex Morgan for Nike 

But the tide is slowly turning. Williams has landed campaigns for Gatorade, Chase and Beats by Dre, plus many other brands. Rousey teamed up with Carl's Jr., Reebok and MetroPCS, ringing up $3.5 million in endorsements over the last year. Meanwhile, U.S. women's soccer player Alex Morgan, hot off the U.S. team's 2015 FIFA Women's World Cup win, rakes in an estimated $3 million per year from her pacts with Nike, Coca-Cola, McDonald's and others. (Morgan is also featured on the cover of EA Sports' FIFA 16 with Lionel Messi—the first time the game's U.S. edition, available Sept. 22, sports a woman on the cover.)

Peter Laatz, evp of sports marketing firm Repucom, attributes advertisers' growing interest in female athletes to the potent purchasing power of women—who control 70-80 percent of consumer purchases—coupled with the growth of the women's activewear market, with $18 billion in annual sales, per NPD Group.

Laatz observed that brands have finally figured out that female consumers, especially millennials, connect best with authentic stories, and many of those stories are from female athletes.

"The ability to speak to women with a relevant personality versus, say, a burly male athlete with his shoulder pads on, that brings a degree of reliability for women," he said. "These women athletes have different stories that are unfolding, and they're doing things at a more grassroots level."

Take Under Armour. When the brand wanted to move away from its testosterone-heavy image in reaching out to millennial women with its "I Will What I Want" campaign, it enlisted underdog Misty Copeland of the American Ballet Theater, who rose to the top of her field despite being told her body type didn't fit the bill of a ballerina. "The insight behind the pressures surrounding female athletes and having the inner strength to overcome that, with Misty as a vehicle to tell that story, made the campaign so powerful," said Candice Chen, senior strategist on Under Armour at agency Droga5. Since Copeland's spot premiered in July, it has achieved 10 million views on YouTube, while Under Armour's women's business has grown 60 percent year over year to $600 million.

Ronda Rousey for Carl's Jr. 

After Carl's Jr. aired its spot with UFC champ Ronda Rousey, 72andSunny group creative director on Carl's Jr. Justin Hooper pointed out that sales soared. "She's a huge name in a male-dominated sport, and she's at the top of the game," he said. "Her background and work ethic are really impressive. I think the target audience really crave that in a spokesperson."

Added Matt Powell, sports analyst at NPD: "Women have always performed at a high level. But the industry has started to figure out that they're not just celebrities and fashion icons, but athletic heroes as well."

This story first appeared in the Sept. 21 issue of Adweek magazine. Click here to subscribe.

Carl's Jr. Says This Provocative 'Border Ball' Ad Is About Sexy Women, Not Immigration

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Carl's Jr. likes being provocative, but not in the realm of politics.

That's the message from parent company CKE Restaurants, which has gone on the record to deny claims that its latest ad with scantily clad women, "Border Ball," plays off the current national debate over immigration.

The spot, from 72andSunny, broke Sept. 28. It features Texan model Elle Evans (previously seen also being scantily clad in Robin Thicke's "Blurred Lines" video) and Mexico City cover model Alejandra Guilmant. The ad sells the new Tex Mex Thickburger, which is apparently equal parts Tex and Mex. So, the commercial shows two women's beach volleyball teams—one from Texas, one from Mexico—trying to settle things with a game on the border.



Innocuous enough, if gratuitous in the classic Carl's Jr. style, right?

Except another of the models in the spot raised eyebrows with this statement to FOX411:"I don't think it goes too far. I think it's really sexy, and I think it's playing up on what's going on politically right now with immigration. I think it was a bold move for Carl's Jr."

Whoa there, Carl's Jr. replied.

A CKE rep quickly told Fox: "Our new ad for the Tex Mex Bacon Thickburger is not a political statement. It is simply a fast-food ad, and, like all of our ads, the premise helps to paint a picture about the food. If a connection was made between the ad and politics—it was certainly not our intent."

The rep added that the ad was simply in keeping with the chain's years-old marketing strategy of using nearly naked models and celebrities to sell sandwiches.

It's a bit of an ignominious development for an ad that 72andSunny seemed to be quite proud of. As the agency told us last week, the new spot was inspired by actual volleyball games that are played across the U.S.-Mexico border.

CREDITS
Brand: CKE
Project: Tex Mex Bacon Thickburger - "Borderball"
Overview: When Tex meets Mex, it's a win win.

Client: CKE
Chief Executive Officer: Andy Puzder
Chief Marketing Officer: Brad Haley
Senior Vice President, Product Marketing: Bruce Frazer
Vice President, Field Marketing, Media, Merchandising: Steve Lemley
Director of Advertising: Brandon LaChance
Director of Product Marketing, Merchandising: Christie Cooney
Product Marketing Manager: Allison Pocino
Public Relations Specialist: Claire Eastburn
Public Relations Team: Coast PR
President: Jeanne Hoffa
Director: Kate Franklin

Agency: 72andSunny
Chief Creative Officer: Glenn Cole
Group Creative Directors: Justin Hooper, Mick DiMaria
Creative Director, Designer: Tim Wettstein
Creative Director, Writer: Mark Maziarz
Senior Designer: Gabo Curielcha
Senior Writer: Chad Goodnoe
Group Strategy Director: Matt Johnson
Strategy Director: Kasia Molenda
Strategist: Eddie Moraga
Group Brand Director: Alexis Coller
Senior Brand Manager: Michal David
Brand Manager: Ali Arnold
Brand Coordinator: Kristyn Kazanjian
Director of Film Production: Sam Baerwald
Executive Film Producer: Molly McFarland
Senior Film Producer: Juliet Diamond
Film Production Coordinator: Taylor Stockwell
Director of Business Affairs: Michelle Mckinney
Business Affairs Director: Amy Jacobsen
Business Affairs Manager: Jennifer Jahinian
Business Affairs Coordinator: Taylor Henriquez
Director of Communications: Jeff Sweat
Communications Managers: Ginny Adams, Nicole Ryan
Production Company: Wondros
Director: Chris Applebaum
Chief Creative Officer: Anne-Marie Mackay
Executive Producer: Timory King
Head of Production: Doron Kauper
Producer: John Hardin

Editing: Jump LA
Editor: Fred Fouquet
Executive Producer: Betsy Beale

Visual Effects: JAMM Visual
Telecine: Beach House
Colorist: Mike Pethel
Executive Producer: Denise Brown

Audio, Sound Design: On Music and Sound
Mixer, Sound Designer: Chris Winston
Music Company: Extreme Music

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